Want to learn how to run your first game? Bring your GM skills to the next level? Build an adventure? Start a campaign? Start here to learn everything The Angry GM has to teach you about running and creating games.
If you’re going to build your own monsters – or even if you you’re just going to run a game – you have to understand what challenge is and how it infuses every game experience. And you also have to understand how it got built into monster design systems. I THOUGHT I’d already covered this, but apparently, we need to really unpack it. So settle in.
Last week, i dissected the hell out of the D&D Monster Manual and Dungeon Masters Guide to tell you everything you’d ever need to know about how monsters work. This week, we’re going to assemble our own creations! And we’re going to populate the temple of a mad monkey god too. Because why not?
This is a supplement to the Monster Building 202 course. Go read that first. Then come back here. It’s a chat between The Angry GM and Twitter frienenmy @Maialideth about how to create a hobgoblin warcaster.
It’s like they always say, you have to cut up a lot of bunnies before you learn enough to make a bunny of your own. So welcome to the D&D Monster Dissection Lab. We’re going to cut up a lot of creatures and see how they work. And that’s going to help us make our own creatures.
Custom monster building is one of the most useful and versatile tools in the D&D and Pathfinder GM’s toolbox. And notice that I didn’t say “reskinning” or “reflavoring.” Real custom monster building takes effort. And it’s totally worth it. But if you can’t make the effort, don’t f$%&ing bother.
If you ask most GMs what the most important part of an adventure is, they’re going to tell you that it’s the backstory. And they’re wrong. Backstory is one of the least important parts of the adventure. But that doesn’t mean you can ignore it completely. It’s just a matter of doing it right.
When you’re writing an adventure, you need interconnected scenes to get the heroes from the beginning to the end. Now, maybe you think you know what scenes are because you’ve already read previous articles in which a certain Angry genius explained them. But that doesn’t mean you know how to build them. So let’s talk about scene construction.
Every hero needs a motivation. Though you wouldn’t know it by watching movies like Guardians of the Galaxy. Or listening to the lying liars who sit at your table pretending to be role-players. Doesn’t matter. When YOU write an adventure, you damned well better figure out how to motivate the characters. AND the players.
The hills are alive with the sound of Anger! Angry advice about how to start building adventures by figuring out the ending that is!
There comes a certain time in every GM’s life when he starts to notice changes. Suddenly, he starts to take an interest in those strange creatures sitting across the table from him. Or her. Whatever. They are players. And their ways can be strange, mysterious, and vexing. And they can make a GM feel all sorts of strange emotions: nervousness, fear, frustration, and violent rage. But, no matter how strange and confusing, no GM can live without players. So, eventually, every GM has to figure out how to talk to players.
Usually about five seconds into the first game session.
If you want to be a Master Adventure Builder, you’ve got to know your way around your LEGO bricks. By which I mean scenes. That’s the gimmick of this article. I explain scenes as an adventure building concept and then use a bunch of references to LEGO sets and pieces using obtuse LEGO jargon to show off how I’m better than you at BOTH game mastering AND LEGO. I also talk about Not-Straulia and raptor-puppies. It’s weird being in my head.
Structure is the glue that holds your adventure together and every adventure needs a good structure. Fortunately, it turns out there’s only ONE actual structure. I’ll prove it through the magic of Commodore 64 adventure games and tentacles!
You can’t learn how to build adventures until you know what an adventure actually is. So sit down, Daniel-san, and listen to your Angry-senpai as I explain how encounter is like cracking an orc’s skull and watching it bleed. While holding the Triforce. I s$&% you not.
In the final part of The Angry Guide to Kicka$& Combats, let’s actually build some combats? How about four different combats? Just to show you how it’s done.
In Part 2 of the Angry Guide to Kicka$& Combats, learn the ABCs of Combat design, which are not as easy to remember as you might think.
The first part of The Angry Guide to Kicka$&% Combats is here! In this article, you’ll learn about what monsters actually are and what combats actually are and why there is no such thing as a combat encounter.
In this preamble to The Angry Guide to Kicka$& Combat, we’re going to tell you a few things you never knew about combat and debunk a few things everyone thinks they know about combat.
Today, I dispense a few tips for building exploration into your game inspired by my favorite f$&%ing video game series ever.
What do you do when your players actually decide to talk to things? How do you handle social interaction? The same way you handle every other f$&%ing action. But if you need more detail than that, read this article.
Finally, after thousands and thousands of words, I actually build a f$&%ing encounter. Here’s how to actually put together a good encounter.
Once you know how to resolve actions, the next thing you need to figure out is how to stick those actions together into something accomplishes a goal. And that brings us to: the encounter.
This is it, the big one, the massive motherf$&% that tells you how to think like a GM. How do you handle it when a character does absolutely anything? You read this f$&%ing article!
Most GMs have no idea how to properly use the skill/action resolution in their game. And that’s a pretty f$&%ing major thing not to know. Let me school you.